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30 Dez

Origami

In this post I want to show you the opposite technique of working with masks. Tim Wolfgarten, ‘Origami’ 2012, B/W-Print (13×18 cm), signed & limited to …

23 Dez

Radiation

This week’s project is an experiment with light. George Demir, ‘Radiation’ 2012, C-Print (20×30 cm), signed & limited to 10 copies, € 50,- A weekly blog of …

16 Dez

Yeşil

A few weeks ago, we’ve spoken about how to brighten your motives in the analogue field of photography. With this project I want to show …

09 Dez

Ice

For this project I wanted to experiment with high temperature and its effect on the photographic emulsion. George Demir, ‘Ice′ 2012, C-Print (30×45 cm), signed & …

02 Dez

Pictorialism

This week’s post has an historical input. I want to introduce you to an international style during the early 20th century: the Pictorialism. Tim Wolfgarten, ‘Portrait …

25 Nov

Elliptical

Over the past year I have presented you different methods of using masks. George Demir, ‘Elliptical′ 2012, B/W-Print (20×30 cm), signed & limited to 10 copies, …

18 Nov

Panorama

This is another post about demonstrating that photography is not static. Tim Wolfgarten, ‘Boğaziçi’ 2011, two C-Prints (13×18 cm), signed & limited to 10 copies, € …

11 Nov

Discolouration

Working digitally allows you to brighten or darken a photograph as much as you want – working with film you either have it one way …

04 Nov

A Camera is not a Camera

This post is about demonstrating that photography is not static – even your camera. Tim Wolfgarten, ‘untitled’ 2012, C-Print (13×18 cm), signed & limited to 10 …

28 Okt

Down the River

A few weeks ago we introduced you to the developing procedure behind E-6 and the modification of film in order to get a Redscale-film. Both methods have one …

21 Okt

Illuminate

Sometimes the desired conditions for taking a photograph are not present. This post is about dealing with circumstances which result in bad lighting. Tim Wolfgarten, ‘Illuminate’ …

14 Okt

Living Organism

This week’s post had to grow and took some time. For this particular project I worked with living organisms, emerging in the form of mould. George …

27 Aug

Summer Break

We will be returning in 5 weeks. A weekly blog of one year duration presenting analogue artwork in a variety of different techniques in photography that …

19 Aug

Genuine

This week’s post is about photographic paper. Throughout the ordinary photographic process, you invert your images a couple of times. Tim Wolfgarten, ‘Genuine’ 2011, B/W-Print (40×60 …

12 Aug

Neon

This week’s post is concerned with the effect of colour being reversed. George Demir, ‘Neon’ 2012, C-Print (20×30 cm), signed & limited to 10 copies, € …

05 Aug

Sepia

A few weeks ago, I introduced the so called ‘Redscale-film’, with its characteristic deep red colours. Now I want to show you a different aspect …

29 Jul

Bird

This week’s post is about using overexposure to capture a frozen movement by daylight. George Demir, ‘Bird’ 2012, B/W-Print (30×45 cm), signed & limited to 10 …

22 Jul

Expired

This article is more about a photographic product than an experimental technique: the expired film. Tim Wolfgarten, ‘Expired’ 2011, C-Print (20×30 cm), signed & limited to …

15 Jul

Äon

With this project I wanted to explore ‘space-time’ by capturing movement of past, present, and future. George Demir, ‘Äon’ 2012, C-Print (30×45 cm), signed & limited …

08 Jul

Luminous

Today’s project is about correct focus-and light settings. Tim Wolfgarten, ‘Luminous’ 2011, C-Print (20×30 cm), signed & limited to 10 copies, € 50,- A weekly blog of …

01 Jul

Silence

For this week’s article I’ve tried a very hazardous kind of technique. George Demir, ‘Silence′ 2011, C-Print (30×45 cm), signed & limited to 10 copies, € …

24 Jun

E-6

This week’s post is another contribution about cross developing. Tim Wolfgarten, ‘E-6′ 2011, C-Print (20×20 cm), signed & limited to 10 copies, € 50,- A weekly blog …

17 Jun

Towers

We’ve already introduced to you different ways of creating one picture out of two motives. Using a ‘splitzer’ is another way of approaching this effect. George …

10 Jun

Haze

I already wrote an article about building your own pinhole camera. Now I want to focus on this special type of camera and its main …

03 Jun

Umbrellas

Last week’s post was all about how to make a Redscale-film. With this project I wanted to take it one step further and worked with …

27 Mai

Red

This week I would like to show you a very simple technique to modify the colour of your photographs and paint your pictures in a …

20 Mai

Scratches I

For this week’s post I thought of my very first submission to this website – a dark red and accidentally scratched picture. George Demir, ‘Scratches I’ …

13 Mai

Infrared Photography

This week I want to introduce the Infrared film. Tim Wolfgarten, ‘no title’ 2012, B/W-Print (20×30 cm), signed & limited to 10 copies, € 50,- A weekly …

06 Mai

Ideale Landschaft-Farbmusterbuch N°2

For this week I wanted to deepen a technique I have used in a previous project – working with a mask. George Demir, ‘Ideale Landschaft-Farbmusterbuch N°2′ 2012, C-Print …

29 Apr

Cyanotype

This week’s post is about an alternative photographic printing process. Tim Wolfgarten, ‘The Photographer’ 2011/2012, Cyanotype on Laid Paper (18×25 cm), signed & limited to 100 …

22 Apr

Camera Obscura

This week I want to take everyone on a little trip, back to the very roots of photography – introducing the ‘camera obscura’. George Demir, ‘Camera …

15 Apr

Single Fragments and Colour Shades

At the very beginning of this blog, I wrote an entry about cross-processing and the variety in film characteristics. Now I want to go back …

08 Apr

Kaleidoscope

As a child I loved playing with kaleidoscopes. So for this rather simple project I wanted to combine these childhood memories with my present fascination: …

01 Apr

Limit

Following up my last post topic, this time I tried to reach the limit in pre-modifying film rolls. Tim Wolfgarten, ‘Limit no. 26′ 2012, C-Print (50×75 …

25 Mrz

Melancholia

This week’s post is yet again an experiment with colour in b&w photography. George Demir, ‘Melancholia’ 2011, C-Print (20×30 cm), signed & limited to 10 copies, …

18 Mrz

The Photographic Emulsion

Spring is coming slowly and everyone aches for some brightness. I am working with pre-modifying film rolls a lot. Tim Wolfgarten, ‘Lasting Seagulls’ 2011, C-Print (30×45 …

11 Mrz

Portrait of Flowers

This week I tried to bring a dash of colour into b&w photography. George Demir, ‘Portrait of Flowers’ 2012, C-Print (30×45 cm), signed & limited to …

04 Mrz

Skin

This project is about skin. The method I want to present also deals with image transfer. Tim Wolfgarten, ‘Skin II’ 2012, Emulsion Lift Transfer on Deckle-Edge Paper (14,5×10,5 …

26 Feb

At the Beach

In one of my previous posts I wrote about developing pictures with a home-made dilution based on coffee. This time coffee is involved as well but in …

19 Feb

Contact Print

This week’s topic is the contact print. Usually this is defined as a photographic image or index of all the negatives from one film roll. …

12 Feb

Dissolving

This week’s post is about aesthetics and the dissolving of photographs. George Demir, ‘Dissolving’ 2012, C-Print (20×30 cm), signed & limited to 10 copies, € 50,- A …

05 Feb

Human Motion

For this project I wanted to catch human motion. Tim Wolfgarten, ‘Motion Study II’ 2012, B/W-Print on Deckle-Edge Paper (14,5×10,5 cm), signed & limited to 10 …

29 Jan

Portrait

In this week’s post it’s an experiment in composition. George Demir, ‘Portrait’ 2012, B/W-Print (20×30 cm), signed & limited to 10 copies, € 50,- A weekly blog …

22 Jan

Istanbul Sokaklar’da

This week’s entry is about double exposure and cross developing. Tim Wolfgarten, ‘Istanbul Sokaklar’da’ 2011, C-Print (30×45 cm), signed & limited to 10 copies, € 50,- A …

15 Jan

Running the Streets

With this project I wanted to go for something technical rather than creating an aesthetic piece. Coffee, washing soda, and a tiny bit of vitamin …

08 Jan

Build your own Camera

All you need is a matchbox, a thin metal sheet, two 35 mm film rolls, sticky tape, and some black paint. Tim Wolfgarten, ‘no title’ 2012, …

01 Jan

Four Portraits

With this one I want to present a mixed-media piece which consists of a photographical part but is also coloured by hand. George Demir, ‘Four Portraits’ …

25 Dez

Blurred

A hot water bath sometimes creates wonderful effects and different added ingredients show a variety of results. Tim Wolfgarten, ‘Vapur’ 2011, C-Print (20×20 cm), signed & …

18 Dez

Deconstruct the Morbid

When I started to think of a concept I immediately knew I wanted to go for a really dark and used atmosphere. Using a regular …